I thought that before we arrived at the crush of Rosh haShanah,
we would just take a week to review the sequence of shofar blasts, and how we got from the
original Torah mitsvah to the common practice today. According to Torah law, we are
required to hear 9 shofar blasts on Rosh haShanah, 3 "teruah"s, with a
"tekiah" before and after. We'll get to the definition of those words in a
minute. By Torah law, those blasts did not have to come in any particular context. Hazal,
based on references in the pesuqim, came up with the notion of malkhuyot, shofarot, and
zikhronot, 3 berakhot they believed were relevant to Rosh haShanah ( tomorrow afternoon,
as part of a 2 Shabbat series of talks in the RJC, I will be discussing these berakhot and
their meaning an hour before minha; between minha and maariv, Rabbi Rosenblatt will be
discussing the special piyyutim of the Rosh haShanah prayers-- for full information, see
the flyer "Preparing for an Audience with the King" in the lucite boxes at the
shul). Ideally, they said, one would blow the three sets of blasts during the recitation
of each of these three berakhot.
Nowadays, there is a difference of custom as to which recitation of Shemoneh Esreh we
blow the shofar. While the custom in the RJC (and Ashkenazic congregations generally) is
to blow during the repretition of the Shemoneh Esreh, many Sefardic congregations blow
during the silent Shemoneh Esreh-- with reasonable source material to support either
version.
That would still leave us at nine shofar blasts, with the essential blast being the
"teruah." The tekiah was primarily a sort of introduction and conclusion, a way
of ushering in and out the blast we really cared about. There was also never a debate
about how the tekiah should sound-- it was a "qol pashut," a plain, simple
sound. The interpretation of "simple" varies from shul to shul-- Rabbi
Lichtenstein in Gush was very careful that the sound come out without a spitting sound at
the beginning (at all) and that it not waver too much during the course of the qol, and
that it end without a last rush of sound either. Other supervisors of tekiot are less
exacting as to the meaning of pashut, but clearly the sound is supposed to be one simple
blow of the shofar, lasting as long as a "teruah" would.
The definition of teruah became a matter of debate during the time of the amoraim.
Everyone was clear that it was supposed to sound like a cry, the question only being
whether it was a cry that consisted of lengthier sobs, or a series of short little cries,
or both. As a result (in good Jewish fashion), the amoraim eventually decided to do all
three, to insure that we are doing it correctly. If you count the
"shevarim-teruah" as 2 blasts, you'll see that a series of three blasts, done
three ways, comes out to ten shofar blasts. This desire to meet all opinions, then, took
us from nine blasts to thirty (three teruot, with a tekiah on either side, each teruah
being performed three ways, one of which counts as two, comes to thirty).
From thirty, we got to sixty by the institution of the tekiot de-Meyushav. While
ideally the tekiot are heard in the course of shemoneh esreh, the mitsvah de-oraita does
not require it. Aware that some people would be too ill to stand for the whole process of
Shemoneh Esreh, the custom became to blow a full set of 'de-oraita" blasts before
Mussaf, to insure that everyone fulfilled their obligation, regardless of their health or
other factors. As a matter of fact, because of the Tekiot de-Meyushav (as they are called,
since people could theoretically sit for them), Rambam believed that during the course of
Shemoneh Esreh, there was no need to blow all the different kinds of teruah at each
berakhah of Mussaf; rather, he thought, we could blow shevarim teruah at the 1st berakhah,
shevarim at the second, and so on.
In any case, we've arrived at sixty. Based on a pasuq that refers to Sisra's mother as
crying at her window when waiting for Sisra to return from his campaign in the Holy Land
(he never did), the custom became to blow a total of a hundred blasts, to outdo her
crying. I feel confident, however, that in the absence of other reasons to blow 60 blasts,
we never would have undertaken to get to 100. Anyway, to reach 100, there are several
customs as to when to blow the extra 40; they end, though, at the end of Mussaf-- which
means that the berakhah we make on shofar at the beginning of Mussaf applies throughout
the repetition of Shemoneh Esreh until after the last blast, and that any extraneous
conversation until that point constitutes a hefseq, a break between the berakhah and the
performance of the mitsvah attached to it.
A last point. Rambam famously says that blowing shofar is a gezerah, a Divine decree
with no specific meaning attached to it, but then offers the remez, the hint, that it's a
wake-up call for repentance. The discussion here shows two things: Hazal believed that
shofar was most meaningful in the context of malkhuyot, zikhronot, etc., as we will
discuss tomorrow. Further, they were clear that the shofar was meant as a sound of
crying-- hence the debate over the proper sound of the teruah, and the connection to
Sisra's mother. Whatever meaning we attach to shofar, then (and each of us should carry
some meaning into our shofar blowing experience), it seems clear that the sound we are
hearing is the sound of crying. That crying, in some way, connects to, or perhaps is
essential to, the proper Rosh haShanah experience. Ketivah ve-hatimah Tovah.